MOSTRA FOTOGRAFICA “ COMPLESSI ! “ A SAN MARCO IN LAMIS.
1.
E’ terminata ieri sera a tarda ora la terza edizione della mostra fotografica dei gruppi e dei cantanti sammarchesi, quest’anno dedicata solo ai complessi degli anni 60 / 70 con qualche coda nei decenni successivi. La novità sta nel fatto che una intera sezione è stata dedicata ai musicisti del posto scomparsi in questi ultimi anni, inevitabile omaggio a personaggi che hanno reso grande la scena musicale del paese nel corso degli ultimi decenni del secolo scorso. From Toni Lombardozzi (here introduced by a valuable and poignant photographic sequence covering the first timid steps of pop groups more or less organized in the country - from 1948 to 1950 - and he has led) to Tonino Rispoli, who was also in plain view for a series of photographs that have seen him in the company, at the beginning of the sixty on the Ligurian coast - where he resided at the time - along with prominent figures of the show and Italian pop song of the period. Group photo of the most important is certainly the one that shows him next to a shy and awkward Mina (we are in 1961 and Mina was a beginner), a rare image, certainly the highlight of the entire catalog. Not to be outdone even the remaining photos. The singer is photographed next to the main so-called big names of Italian song of the early sixties, monumental shots that stare at him next to Ben Green, Joe Trail, Gino Latilla and Herbert Pagani among others, the Sanremo popular characters in the scene where those crucial years Rispoli also has its own portrait on the stage of municipal casino during a performance in a beautiful, historic photos of 1961.
There are other lost friends from Monte Beppe Bonifacio Tancredi up to the teacher via Luigi Tackis Tantaro latter being the first to leave many years ago in a sudden, a great lover of music of the sixties, drummer, guitarist and singer value, present, sitting behind the drums in a photo that fate wanted to lay down a memorable shot, mocking, near Bonifacio and Antonio Tancredi Serafino Panzone, during a performance of Revivals in 1986. Both players would then disappeared after a little time from each other, several years later.
Tackis Master, who left us in November 2009 in a dramatic way, shown here during a show in Rignano Garganico, is the author of an amazing EP to be framed as the only relic of the demented cabaret scene of the place (Petrolini a splendid and enjoyable, to use some of his happy expressions) which, however, is not a continuous training required to to grow the character in a scene where he was the only player (albeit a forced comparison can be made with Speranzoni or Fulgaro M. and M. Napolitano caught in a snapshot in 1957), while Bonifacio Tancredi, alias Little Rock, tender and true interpreter of the Italian song of the sixties and proud of the origins of rock and roll, was the most genuine part of the proposal and nostalgic pop revivalist sammarchese. Monte
Beppe (Giuseppe Chiaramonte), who also grew up musically in the early sixties was the essential presence, most versatile voice confidential tones, group-institution in San Marco in Lamis, the Protheus. Among other things attributed to him, to be mentioned its participation in the radio program La Corrida, which keeps the living witness, conducted by Corrado, where Beppe Monte won in a sprint finish with a superb interpretation of the song strong desire for her Pooh.
Antonio Serafino Panzone, whose daughter Josephine followed his father's footsteps with excellent results, has been in the lead arranger and bassist, as appropriate, in the preparation of musical imprint amarcord always, and always in the presence of friends made of the same substance from a Fulgaro Rispoli, from a Tackis Masullo, all in a group of photos that we wanted to characterize a precise period of musical history of the country and highlight the role coordination had to be Panzone in this story.
2.
Other photographs are covered and documented live performances of many groups that have ruled the music scene in the country over the years between 1969 and 1973, a major prestige in which the pop scene has grown and branched out into so many experiences linked to groups such as The Wolves, The Blue Stones, The Birds, Butterflies and The Atomium, a group that seized the burgeoning pop scene national signs of change in music royalty, sound changed and certainly more elaborate than before.
The Wolves were led by Leonardo Ianzano, singer from the spectacular voice, grew up in the years to collect the inheritance of our local folk scene through the experience with the group meal and Folk Festival, still in operation, the Birds were characterized by a progressive thrust natural, very strong within the group, while the Butterflies were a group of friends inspired by dominating the pop scene (the only Mario Masullo, drummer, will have an artistic life to date scheduled). The Blue Stones Christmas Tenace and Peter Longo had instead chosen a hard melodic sound characteristics, in line with certain trends from xenophile. What remains of the group is currently lead singer of one income Luigi Nardella, a small group of friends vintage men still playing with undiminished enthusiasm of the sixty immortal songs and folk themes sammarchesi in the charming corners of the country and in neighboring places.
The Atomium, (the exhibition dedicated to him throughout the long genealogy since 1972 and was completed at the turn of the eighties) are the heirs to the popularity and longevity of Protheus. Their history is full of replacement grafts often well chosen that have always paid to new life 'evolution of their music. We have also recorded a 45 turns deadly in 1976 during a period when, as a guest Gennaro Sassano, it seemed that the group could take off to other shores. This has not happened but it remains a fundamental group and especially for laboratory Fly the new group of Paul Pinto in the eighties and nineties.
Even the Fly and the whole pop scene of the millennium, la mostra ha fornito ampia documentazione, soprattutto di quei gruppi giovanili la cui storia è stata fragile ( eccetto i Virtuals forse ), seppure fuori tempo massimo rispetto ai tempi fissati dalla mostra, viene ricomposta secondo tortuosi passaggi e mai messa in luce in modo limpida e definitiva. I Fly hanno scelto lo spettacolo, niente evoluzione ; hanno scelto di fare concerti di qualità, assemblando repertori molto versatili buoni per tutti i gusti, a volte anche stucchevoli ma necessari a cavalcare i tempi in modo dignitoso. No so dire se siano ancora in vita.
Della mostra sono state esposte 150 fotografie formato grande, a colori, in bianco e nero e color seppia ; stampate e distribuite ai visitatori ( numerosi come sempre in queste occasioni A) a large number of cards in 5 subjects variables, some reproduce the poster and the poster, produced by Francesco Paolo Giuliani, (the poster contains photographs of all the friends gone, in which the exhibition was dedicated) and paintings by Nicola Maria of the 60 Spaniards who hosted the show, as well as a beautiful vintage postcard featuring Toni Lombardozzi and Friends (1948), who wants to give luster to the pioneers and the origins of pop sammarchese while providing the sammarchesi scattered in all corners Earth's a good reason to be proud of their past (and their land).
Luigi Ciavarella
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